Filed under: Press | Tags: Matthew Berlyant, Press, The Big Takeover, Trashcan Sinatras
Here’s a small article taken from The Big Takeover magazine with John Douglas explaining the recording of fifth album, ‘In The Music’.
Written by Matthew Berlyant… SCOTLAND’S TRASH CAN SINATRAS WON’T EVER BE ACCUSED of flooding the market: it took them five years to release the excellent In The Music, their first new studio album since 2004’s Weightlifting (my favourite album that year). While that may seem like a lot, this is actually a considerably shorter period than the eight years between 1996’s A Happy Pocket and Weightlifting! And it’s only their fifth in two decades.
Sitting with guitarist JOHN DOUGLAS before their two sets at the Tin Angel in Philadelphia to discuss the album and the band’s recent history, Douglas notes that, “We were on the road for a year-and-a-half; then we went back to Glasgow and lived life. A couple of guys [singer FRANK READER and guitarist PAUL LIVINGSTON] are living in Los Angeles now, and they’re married and happy there, while myself and [drummer/brother] STEPHEN are still in Glasgow.”


Douglas insists that after songs piled up and they decided to record a new album, they “didn’t really want to go through any of the techniques of recording that we’ve used before.” He says that the songwriting on In The Music was a bit more “groovy-savvy” and that the material written for it wouldn’t have been appropriate if given the arrangements of their earlier records. As well, the band didn’t have a label, but were helped out by producer ANDY CHASE (who mixed Weightlifting) of IVY and BROOKVILLE. The band recorded the bulk of In The Music in Chase’s studio in New York while the producer found an apartment for them on the Upper West Side. The band also pulled a major coup in getting ’70s star CARLY SIMON to provide backing vocals on “Should I Pray.”
Introduced through Chase in Nantucket, Simon got to know the members casually and came down to the studio one day. After the band sent her demos of “Should I Pray” and the title track, Douglas revealed that “she was very complimentary towards ‘Should I Pray.’ She said it was the best song she’d heard in 10 years!” Meanwhile, the band released “Oranges and Apples,” a song inspired by the late PINK FLOYD founder/visonary SYD BARRETT and recorded at the same sessions, as a stand-alone digital single in late 2008, to time it with a festival that benefitted the Barrett trust.

Although still unavailable in the U.S., the band decided to sell a deluxe edition of the new album as a pre-order through their website. They also recorded all the shows on their recent U.S. tour and sold them on USB sticks available 15-20 minutes after the shows ended. Douglas explains, “Things like that come about because you’re in a situation where you have to think on your feet and trying to keep your quality control.” As of this writing, the band were talking to several U.S. labels hoping to release In The Music here. Let’s hope negotiations prove successful [Amen! – ed.], with another tour resulting.
For who knows when they’ll make another LP?
2009 The Big Takeover Issue 65
…after weeks (feels like months) of not posting anything, miraculously, there’s finally something to add to the archive.
The Trashcans made over 75 appearances in 2005, touring in Scotland, England, Ireland, North America and Japan.
Here’s a promo poster for the early part of the UK tour – and very nice it is too.

Ticket stub from the Glasgow show…

January 2005
Now, write it out a hundred times!
Ah, takes me back to my school days when I was chucked out of art class for allowing the word ‘fuck’ to pass through my lips. My teacher proceeded to give me a lecture on said word and gave me 100 lines as well – I wouldn’t have minded that much, but I was in 5th year at secondary school! Crazy hippy teacher!
Anyhow, here’s a small advert which appeared in the NME to promote 9th single, ‘To Sir, With Love’

December 1996 NME Magazine Follow @fivehungryjoes
Filed under: Press | Tags: Concert, Gig, London ULU, NME Magazine, Press, They Might Be Giants, Trashcan Sinatras
Way back when the Trashcans were dipping their toes in the music business, they supported They Might Be Giants on a few early 1990 dates.
One of which was at London University’s Union – LULU for short. Here’s NME’s Stephen Dalton’s review…
3 March 1990 NME Magazine Follow @fivehungryjoes
Filed under: Press | Tags: NME Magazine, Press, Steve Lamacq, Trashcan Sinatras
In Steve Lamacq’s world they may well have drifted into the land of obscurity, but back in 1990 he wrote about big things to come for the Trashcan Sinatras.
Here’s what he had to say in his NME article from March 1990…
“Rock bands try and clobber you over the head with their image. Like Texas and Deacon Blue come in, ‘f___ing hell, it’s us, we’re like this, BUY US YOU STUPID BASTARDS!’ And people do. And you think, oh no, it’s happened again…”
“And yet there are bands who just meander along without shoving themselves down your throat. They just do their own thing and you kind of stumble upon it.”
You’ll have done well if you’ve stumbled across the TRASH CAN SINATRAS so far, seeing as their debut single, called (funnily enough) ‘Obscurity Knocks’ has been widely ignored by DJs in favour of bright new hopefuls like Yell and Cliff Richard.
To fill you in: the Trash Cans are a shy, subtle five-piece ‘pop’ group from Irvine, Scotland. They’ve just played some selected dates with They Might Be Giants and the single ‘Obscurity Knocks’ is out on Go! Discs.
Like in the FA Cup draws, the first person you heard from was guitarist John Douglas; the away team is drawn by other guitarist Paul Livingston.
“As a first single,” says John, “we thought it was a funny title, like tempting fate. It’s going to come true the way things are going.”
With more than a hint of self-depreciation, the Trash Can Sinatras are the first Scots band for a while to hark back (albeit unintentionally) to the charm and refreshing brightness of the Postcard era which brought you Orange Juice and Aztec Camera, almost a decade ago.
The Trash Cans wouldn’t have been out of place alongside fledgling Edwyns and Roddys, but with their singular, sad guitar strumming style they more importantly have a role to play now.
“Postcard just went away,” confirms John. “Before that, there was always a kind of muso scene in Glasgow which liked the American soul thing and then there was the wee punk guys who thought, ‘f___ this, let’s arse about’.
“But then there was the backlash to it and it faded out – Postcard was almost ignored in Scotland apart from the people involved in it: everyone else went back to soul music or (grimace) heavy metal.”
Having attracted the interest of the majors since birth, the Trash Cans slyly signed with Go! Discs, warning at the time that it’d take them a while to sort themselves out recording wise.
It did. They did the single, then they did it again. And then they did it once more, delaying it from last summer until now.
‘Obscurity Knocks’ is a camera snap-shot of the Trash Cans’ talents, starting off with a sprightly acoustic intro and leading through a series of reflective verses into a stumpy chorus.
In the same way that they like XTC, a very English pop group, there’s a definite Scottish flavour to the Trash Cans, a funny, natural bunch.
Straight in at number 8…
3 March 1990 NME Magazine Follow @fivehungryjoes