Filed under: Press | Tags: Album Reviews, CD, Is This Music?, Magazine, Music, Stuart McHugh, Trashcan Sinatras
…is an independent music magazine and focusses, primarily, on the Scottish music scene. The first issue appeared in late 2003, and is probably best known for printing the first ever interview with Glasgow popsters Franz Ferdinand.
It’s a cracking read and includes reviews, interviews and views on various Scottish artists and the odd one or two from around the world.
An added bonus with each issue was a 10-track CD – a sort of summary of the best new sounds coming out of Scotland – and this one, Issue 13, from the Winter of 2004 – included the Trashcans’ ‘All The Dark Horses’ from fourth album ‘Weightlifting’.
ITM? now appears online and includes many reviews and features not present in the printed version of the magazine.
Allegedly, is this music? takes its name from the song featured on Teenage Fanclub’s album ‘Bandwagonesque’
Here’s the article in full…
Refuse to give up The Trashcan Sinatras have battled through various setbacks and released a new album Weightlifting. itm?’s Anna Battista talks to Frank Reader.
“I’m quite tempted to try it. My nephew says they also have a gentle slope, so if I stick to it I think I will be fine” Trashcan Sinatras, Frank Reader reassures me about his snowboarding session with his nephew, which should happen right after our chat. In a way, the career of Trashcan Sinatras can be compared to a roller coaster ride, rather than to snowboarding down a slope. Leaving behind the collapse of Go! Discs, their bankruptcy and the loss of Kilmarnock based recording studio Shabby Road, the Trashcans, affectionately supported by their loyal fans, have just found a new strength and released a new album, Weightlifting (out on the band’s label Picnic Records), their fourth in eight years. The album starts with what many thought is a prophetic song, ‘Welcome Back’, with the opening lyrics, “Welcome back, back to health” yet, Reader doesn’t think they’re just ‘back’. “It has just taken us so long to record the new album.” he explains, “It’s not like we’re either coming back and staying or coming back and going away. We’re just carrying on doing things the way we do them, that means writing and writing and recording until we are happy and it sometimes can take a long time.” We are sitting in a flat somewhere in Glasgow West End, outside it’s unusually sunny and not too cold. Reader finds unusual the fact that Weightlifting has received quite a bit of attention and very good reviews, “People seem to be a bit receptive towards us, maybe they just admire the fact that we’re so stubborn, ” he shrugs, “we’ve been mentioned a lot in passing in diaries in the Guardian and in other papers and that’s nice and very helpful, especially now that we don’t have a lot of money behind us, because it makes people aware of the name.”
Recorded in Glasgow, the Trashcans new album was mixed in New York by Ivy’s Andy Chase, “At the beginning we thought we were probably trying to mix it ourselves and we tried to do it with one or two songs, but it was becoming very messy.” Reader remembers, “then this guy phoned us up saying he wanted to do it, so we sent him the tape. He did one mix for free, we heard it and thought we didn’t like it at all. So we went back to mix it ourselves and then, just for fun, one night, after doing a mix of one of the songs ourselves, we put his mix on to compare it with ours and it really blew us away. We ended up phoning the guy, saying sorry and asking him if he would have liked to come back. He did, so we sent him the music files on CD and later on we went to New York for a week to tidy things up. He was fantastic, opinionated and very articulate. For us it was unusual to let go so much control and I’m glad we did it. It’s because we let go so much that ‘Weightlifting, sound like our most direct album.”
The Trashcans promoted their album in the States, throughout September and October. “it was so much fun, everybody responded to the new album really well,” says Reader, “we did about thirty gigs, but we also played in radio stations and in a lot of stores. I wouldn’t say that we did a hard job while touring, but towards the end we were getting a little bit tired since we were always up early and we were in traffic all the time.” There are actually plans for the band to go back to America during the first week of December for a radio station tour, in the meantime Reader says he’s quite happy about how things are going with the band, “The main problem we had before was that we weren’t communicating much with each other. Now we are a lot closer than we used to be. John has also become part of my family and therefore John’s brother, Stephen, has become part of my family too. So we have to accept we will be together in some way probably forever. We have actually learnt to accept each other and I think now we are a bit nicer to each other as well.”
Reader tells me he will try to write new songs in the next few weeks, “I’m thinking about what kind of record we’re going to make next, I’m not sure what it will sound like, but I’m really fed up with Aztec Camera comparisons and I’d like to get away from that. Our first album was a bit reminiscent of ‘High Land, High Rain, and I know I might sound a bit like Roddy Frame, because I have a youngish voice, but I can’t see more comparisons beyond these. The rest of the band get quite annoyed about being compared with Aztec Camera, also because Paul doesn’t like them at all.”
The future at present seems to be quite uncertain for the Trashcans, but there is one thing Reader wishes it would happen, “It would be good for us if the record would sell enough to allow us to play, travel, meet people and do the things that make life a little interesting,” he states. Now that many weights have been lifted from their career, and they have found new inspirations, freedom and independence, Reader’s wishes will be more likely to become true. Anna Battista
Phew, and relax. Here’s the free CD…
The Trashcans ‘All The Dark Horses’ is listed as track 2, it is in fact track 9. Those of you with eagle eyes will also spot a track by Ostle Bay – a one time TCS side project, which I’m sure you already know about.
And here, from the same issue, is the review of ‘Weightlifting’…
Is This Music? Issue 13: Winter 2004
Filed under: Press | Tags: Fanzine, Hard-to-Find, Music, Press, Stephen Maughan, This Almighty Pop, Trashcan Sinatras
…is a legendary music fanzine that was produced between 1988 and 1990. It was is created by Stephen Maughan and during that time he produced four issues which included articles, fan letters and reviews on a host of new and upcoming bands.
This one – Issue Four – included a piece on the Trashcan Sinatras and was issued during the summer of 1990. Each issue was accompanied by a flexi-disc (not included here).
In the Autumn of 2008 – after an 18 year hiatus – Stephen released Issue Five of This Almighty Pop, embracing modern technologies such as colour and CD-Rs.
A great little project.
This Almighty Pop Fanzine Summer 1990
Filed under: Press | Tags: Concert, Gig, Ira Hayes, Magazine, Melody Maker, Music, Nyah Fearties, Press, Trashcan Sinatras
…so said John Vanderbleu.
Here’s his review, which appeared in Melody Maker, of an early Trashcan gig in Inverness. Support bands who also appeared at the Gateway that night were Ira Hayes (who I know nothing) and bastardised acoustic folk/rockabilly experts, the Nyah Fearties.
Melody Maker 21 June 1990
Filed under: Press | Tags: Concert, Gig, Nescafe, Nescafe Yamaha Band Explosion, Nestle, NME Magazine, Press, Trashcan Sinatras
I’ll have Cake please.
The Nescafe/Yamaha Band Explosion was a unique event with 12 bands, yet to make the Top 40, playing live over three nights at London’s Marquee Club with the added bonus of being broadcast nationwide on BBC Radio 1.
Band Explosion originated in Japan as a means of supporting new pop talent and steadily grew to become one of the largest music events in the world. Around 22,000 groups have participated worldwide, each getting around 30 minutes exposure and was a great chance for bands that might otherwise not get one.
In September 1990, the Trashcans were chosen to participate along with others such as Swervedriver, The High, India and Everyday People. A great opportunity for a band – who were already signed to Go! Discs – you would think to get some much needed publicity. But when the band found out that Nescafe were sponsoring the event, they pulled the plug on the gig and got some publicity of a different kind altogether.
Here’s the guide which was given away free with the NME…
Programme text:
SCOTTISH FLAVOUR of the month the Trash Can Sinatras had the major labels on their tail before they’d hardly stepped out of hometown Irvine.
Naturally, they told them they weren’t ready for the albatross of a major deal round their necks, but persistant man that he is, Andy McDonald for Go! Discs “nipped round the back of the defence” and secured their signature from underneath the noses of the Big Boys.
He won, for his trouble, a subtly colourful five-piece whose potential is still to be fully realised. With a self-deprecating streak as long as a Highland river, the Trash Cans are one of the most unassuming bands playing in the Pop Game at the present time, harking back (albeit unintentionally) to the charm and refreshing brisk guitar sound of the early ’80s Postcard era.
‘Obscurity Knocks’, their first, lyrically picturesque and plaintive single, interrupted the polluted wash of the downstream Top 100, while its follow-up ‘Only Tongue Can Tell’ went a few fathoms deeper with its strummy, shiny melody – not totally unlike the more reflective songs of your Roddys and Edwyn Orange Juices.
Some rare live appearances headlining on their own, and supporting They Might Be Giants earlier in the year, raised their profile before the release of their debut LP ‘Cake’ in July.
Its matured jangliness and poetically pointed lyrics tied up in a (too?) clean production that found itself ‘out of time’ in many quarters, but raved over in others. For this we should be perversely grateful.
The Trash Cans aren’t an easy band to dismiss, but they’re a hard one to place, with their cute and cynical outlook for the ’90s so often at odds with the pundit’s perceptions of latter-day pop.
Rest assured though, they’re outsiders worth backing.
NME 1990 September(ish)
Filed under: Press | Tags: Concert, Gig, Music, NME Magazine, Trashcan Sinatras
…and eat it.
Here’s a review of an early gig from NME’s Andrew Collins, which took place in Minneapolis along with Buffalo Tom.
9 March 1991 NME Magazine
Five Hungry Joes - A pictorial archive of the Trashcan Sinatras. Legendary Scottish Band 